CFP: Sedgwick Society Panels at ALA 2019 (Deadline: 1.15.19)

CALL FOR PAPERS
2019 American Literature Association Conference,
May 23-26, 2019, Westin Copley Hotel, Boston, MA

Send 200 word abstracts to Lisa West, lisa.west@drake.edu by January 15, 2019.

The Catharine Maria Sedgwick Society is sponsoring a panel on:
Catharine Maria Sedgwick and the Gothic or Supernatural
While Sedgwick is associated with Federalist politics, reason, republican sensibility, and moral leadership, her writings do venture into the gothic, the uncanny, the supernatural, and the enchanted. This panel will explore the underexamined ways Sedgwick uses the gothic and the supernatural in her fiction and other writings. Panelists are encouraged to consider ways she responds to a transatlantic gothic tradition or to think about the religious supernatural. Panelists can build on ideas and papers presented at 2018 ALA or SSAWW. Papers are also welcome on writers who are contemporaries of Sedgwick, such as Washington Irving or Lydia Maria Child. Send 200-word abstracts to Lisa West, lisa.west@drake.edu by January 15, 2019.

The Catharine Maria Sedgwick Society is sponsoring a roundtable on:
Sedgwick’s Letters: Material Letters, Transcribed Letters, Fictional Letters, Digitized Letters

This roundtable will put the exciting work of the Catharine Maria Sedgwick Online Letter (CMSOL) Project in conversation with theoretical approaches to “the letter” in a variety of contexts. CMSOL is an ongoing initiative with the goal of making the correspondence of Sedgwick held at the Massachusetts Historical Society publicly available in digitized form. This project is significant not only in developing the scholarly infrastructure of Sedgwick Studies but also in linking archives, scholars, and the general public. The project raises numerous ethical and pragmatic issues about reading, transcribing, and editing letters. We welcome short presentations on Sedgwick’s (or her contemporaries’) personal letters, letters embedded within novels, letters from abroad, or references to letters. Scholarly challenges in working with letters or family papers also welcome, as are presentations that consider the role of letter-writing within a broader literary culture. Send 200-word abstracts to Lisa West, lisa.west@drake.edu by January 15, 2019.

CFP: Sedgwick Panel at SSAWW 2018 (deadline 2.10.18)

Society for the Study of American Women Writers Conference, Denver, CO
November 7-11, 2018

Call for Papers:

“Resisting Readers and Resisting Narrators within Sedgwick’s Works”  

Many of Sedgwick’s popular short writings are didactic in nature, leading readers toward desired, mostly conventional responses.  If Judith Fetterley valued the “resisting reader of texts, where can we find that message within Sedgwick’s writing? How are characters themselves resisting readers – and what kind of texts do they resist?  Are there multiple layers or dynamics of resistance within a text?  And what about the narrators?  In novels, Sedgwick often subverts the traditional didactic narrator voice, at times folding narration into letters, and at other times experimenting with other devices that destabilize the narrative voice. How does this narrative function challenge readers?

Ideally, this panel will not only explore instances of resistance but also consider reading and textuality in innovative ways.  In turn, these questions about reading and the nature of texts can influence the steps we take in recovering the work of Sedgwick and others: what texts we choose, how we present them to 21st century readers, and how we consider nontraditional forms of textuality or nontraditional methods of access.

The Catharine Maria Sedgwick Society is open to proposals that address writers other than Sedgwick if they otherwise fit the prompt.

Please send questions and 200-word abstracts to Lisa West, lisa.west@drake.edu by February 10, 2018.  

CFP: Sedgwick Society Panels at ALA 2018 (Deadline 1.15.18)

Call for Papers
American Literature Association Conference
San Francisco, CA May 24-27, 2018

SESSION 1: Roundtable: Sedgwick and American Enchantment

The Catharine Maria Sedgwick Society calls for 5-7 scholars to participate in a roundtable discussion of Michelle Sizemore’s recently published American Enchantment: Rituals of the People in the Post-Revolutionary World (Oxford UP, November 2017). Participants do not need to focus on the discussions of Sedgwick in the final chapter but instead can address Sizemore’s treatment of any of the central authors (such as Hawthorne, Irving, Brackenridge, and Brown); the significance of this scholarship for Sedgwick Studies; and/or key issues in Sizemore’s work, such as thinking of “the people” as a process rather than as a substance or understanding “enchantment” as a contingent state of embodied cognition.

A description of the book is as follows: The demise of the monarchy and the bodily absence of a King caused a representational crisis in the early republic, forcing the American people to reconstruct the social symbolic order in a new and unfamiliar way. Social historians have routinely understood the Revolution and the early republic as projects dedicated to and productive of reason, with “the people” as an orderly and sensible collective at odds with the volatile and unthinking crowd. American Enchantment rejects this traditionally held vision of a rational public sphere, arguing that early Americans dealt with the post-monarchical crisis by engaging in “civil mysticism,” not systematic discussion and debate. By evaluating a wide range of social and political rituals and literary and cultural discourses, Sizemore shows how “enchantment” becomes a vital mode of enacting the people after the demise of traditional monarchical forms. In works by Charles Brockden Brown, Washington Irving, Catharine Sedgwick, and Nathaniel Hawthorne–as well as in Delaware oral histories, accounts of George Washington’s inauguration, and Methodist conversion narratives–enchantment is an experience uniquely capable of producing new forms of popular power and social affiliation. Recognizing the role of enchantment in constituting the people overturns some of the most common-sense assumptions in the post-revolutionary world: above all, that the people are not simply a flesh-and-blood substance, but also a mystical force.

Please send a brief abstract (200 words) outlining your intended focus in the roundtable to Lisa West, lisa.west@drake.edu, by January 15, 2018.

SESSION 2: Panel: Sedgwick (and others) Beyond Unitarianism

The Catharine Maria Sedgwick Society seeks papers that invite discussion of religion in Sedgwick’s life and writing. In particular, the society hopes to complicate an understanding of Sedgwick’s Unitarian beliefs; call attention to her use of a variety of religious affiliations and doctrines; consider the role of secularism in her work; and investigate connections between religion, education, morality, and fiction. Papers that address contemporaries of Sedgwick, particularly other women writers or religious theorists, will also be considered.

Please send an abstract of 250 words to Lisa West, lisa.west@drake.edu, by January 15, 2018.

CFP: Transatlantic Women 3 – Women of the Green Atlantic (Deadline 11.01.2017)

Transatlantic Women 3: Women of the Green Atlantic

Dublin, Ireland Royal Irish Academy

21-22 June 2018


Sponsored by the Catherine Maria Sedgwick Society and the Harriet Beecher Stowe Society

“Since every wind that blows brings to our shores a fresh swarm of these people, who are to form so potent an element in our future national character, it behooves us to study them well, and make the best we can of  them.”

Catharine  Sedgwick,  “The  Little  Mendicants” (1846)
The third meeting of Transatlantic Women will take place in Dublin, Ireland, on 21-22 June 2018 at the Royal Irish Academy. It will focus on Irish/American crosscurrents of the long nineteenth century, on the transatlantic stream of writers, reformers, and immigrants crossing over the Green Atlantic who were engaged in refuting but also perpetuating stereotypes and racist beliefs that troubled Irish-American relations. Such authors as Catharine Sedgwick, for instance, wrestled with contradictory conceptions created of Irish immigrants who appear in many of her writings, including “Irish  Girl”  (1842) and  “The  Post  Office:  An  Irish  Story”  (1843). In a different context, “An  Affectionate  and  Christian  Address  of  Many  Thousands  of  Women”   (1852) pointedly  addressed  American  women  as  the  “sisters”  of  women  from  both  Great  Britain   and Ireland; although Harriet Beecher Stowe never traveled to Ireland, she met deputations from that country during her first visit to Europe (1853). In  “What  Is  a  Home?”  (1864)  and  “Servants”   (1865), she expressed concerns about the Irish in the United States similar to those of Sedgwick.

This transatlantic gathering will celebrate, and question, nineteenth-century women who crossed the Green Atlantic, wrote about it, or in other ways connected the United States with Ireland through networks, translations, transatlantic fame, or influence. As Peter  D.  O’Neill  and   David Lloyd demonstrate in The Black and Green Atlantic: Cross-Currents of the African and Irish Diasporas (2009), people from Ireland, as well as from Africa and the United States, crossed the Atlantic as slaves and servants, as cultural and political exiles or activists. Many women, active in travel writing, pamphleteering, writing fiction, newspaper articles, speeches, fairy tales, and ghost stories, were  promoters  of  women’s  rights  and  the  figure  of  the New Woman, and were engaged in philanthropy, temperance, abolitionism, social commentary—and simply just in sightseeing and enjoying themselves. Among the most prominent figures to build bridges between the United States and Ireland around activism are such well-known Americans as Lucretia Mott, Susan B. Anthony (on the Irish Question), Frances Willard, Ellen Craft, Ida B. Wells, and the Irish Frances Power Cobbe; among those who have received less attention are, for example, the African American Sarah Parker Remond and the poet Frances Osgood. And the exchange went both ways: fiction by Irish writer Maria Edgeworth, for instance, influenced Sedgwick, among others.

The Transatlantic Women 3 conference brings together scholars representing various countries and disciplines to examine the ways in which these women and their ideas moved, how they resisted oppression and created new ways to conceptualize their identities and the reality surrounding them. We welcome presentations on any topic related to nineteenth-century transatlantic women but are especially interested in those dealing with women of the Irish- American nexus. Some of the key concepts include race, stereotypes, assimilation, immigrant reality; conceptualization of space, distance, and identity; movement, and memory—historical and personal.

Topics include, but are not limited to:

  • recovering voices of Irish-Americans, or American-Irish women
  • struggles of immigrant women
  • women pioneers, in professions, activism, innovation
  • female networks and sisterhoods—of writers, journalists, travelers
  • women activists (abolitionism, anti-lynching,  temperance,  women’s  rights,  peace,  white

    slavery, reform, animal rights)

  • women travelers and their descriptive gaze
  • fictional and realistic descriptions of places, people, and societies
  • women’s  articulations  of  transatlanticism and the Green Atlantic

    Abstracts, which should be about 250 words, and a short bio, are due by 1 November 2017. They should be emailed to transatlanticwomen3@gmail.com.

    We look forward to yet another stimulating transatlantic conversation with you!

    Should you have any questions, please feel free to contact any of the organizers:
    Beth L. Lueck (lueckb@uww.edu), Sirpa Salenius (sirpa.salenius@uef.fi), or Lucinda Damon-Bach (ldamonbach@salemstate.edu).

CFP: Sedgwick Society at ALA 2017 (Deadline: 1.15.17)

As we head toward the 150th anniversary of Catharine Sedgwick’s death and the 20th anniversary of the CMS Society in 2017, we invite proposals for the following panel for ALA 2017:

Session #1: TIME, MEMORIALS AND ANNIVERSARIES (3 or 4 15 to 20-minute papers):

How is “time” referenced in Catharine Maria Sedgwick’s writings? Does her sense of time seem consistent at moments with Wordsworth’s “spots of time”? Is there more that can be said about her “anachronistic imaginings,” to take a phrase from Jeffrey Insko’s 2004 essay, “Anachronistic Imaginings: Hope Leslie’s Challenge to Historicism?” What about her attention to memory, memorials, and monuments, and how space and visual culture relate to notions of time? What about anniversaries, rituals and annual or seasonal celebrations? This panel invites proposals on these and other issues related to the perception of time, the passage of time, and the celebration of times past in Sedgwick’s writings or the writings of her contemporaries.

I want to remind readers that the Catharine Maria Sedgwick Society is holding its 8th symposium in Stockbridge, Massachusetts, June 7-10, 2017, celebrating both the 150th anniversary of Sedgwick’s death and the 20th anniversary of the CMS Society. The focus for the symposium is “Where and When: Evolving Concepts of Place, Space, and Time in the Writings of Sedgwick and Her Contemporaries.” There is potential to have meaningful overlap between the May ALA panel and the June symposium. The Society asks that participants do not deliver exactly the same paper at both events but encourages work that connects papers between the different forums or initiates an ongoing conversation.

ALA will be held May 25-28, 2017 (Thursday to Sunday of Memorial Day weekend) at Westin Copley Place in Boston, MA.

DEADLINE FOR ABSTRACTS: January 15, 2017

Please send abstracts to Lisa West, V.P. for External Conferences, CMS Society: lisa.west@drake.edu

CFP: Sedgwick Society Symposium – June 2017 (Deadline 12.9.16)

Announcing Our 8th Symposium!

“Where and When: Evolving Concepts of Place, Space, and Time

in the Writings of Sedgwick and Her Contemporaries”

Commemorating the 150th Anniversary of Sedgwick’s death in 1867

and The 20th Anniversary of the Catharine Maria Sedgwick Society

June 7-10, 2017 — The Red Lion Inn, Stockbridge, Massachusetts

From her first novel, A New-England Tale; or Sketches of New-England Character and Manners (1822) to her last, Married or Single? (1857), much of Catharine Sedgwick’s writing, like the writing of many of her contemporaries, is geographically and historically specific. While a significant body of criticism has treated the elements of history and locality in Sedgwick’s works, far less scholarship has explored the ways in which her depictions of settings reflect changing ideas about both place and time over the course of her career. How did Sedgwick’s understanding of her native Berkshires, the larger region of New England, and the nation as a whole evolve as her physical and personal life, her professional career, and the United States advanced and matured? How did her perception of the passage of time, of cultural change, and of history itself evolve as political expansion, economic development, and technological innovation rapidly changed the look, the breadth, and the pace of American life from the 1820s to the Civil War?

Commemorating the 150th anniversary of Sedgwick’s death and the 20th anniversary of the founding of the Catharine Maria Sedgwick Society, the Society will return to Sedgwick’s home town of Stockbridge, Massachusetts, to convene its 8th symposium from June 7-10, 2017. The Society is thrilled to have as our keynote speaker the renowned scholar Dr. Mary C. Kelley, the Ruth Bordin Collegiate Professor of History, American Culture, and Women’s Studies at the University of Michigan.  Dr. Kelley has published extensively on Sedgwick and other 19th-century American Women Writers and her works include such notable books as Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America and The Power of Her Sympathy: The Autobiography and Journal of Catharine Maria Sedgwick.

The Society invites proposals that consider Sedgwick’s legacy—how it grew over the course of her career and how it has evolved in the century and a half since her death—as well as the work of Sedgwick (or one of her male or female contemporaries with links to Sedgwick) through the lenses of place, space, and time broadly construed—including studies of setting and historicity as well as more contemporary theoretical approaches to time, space, and the environment. Papers might:

  • Explore evolving ways of reading/representing the landscape in works by Sedgwick and her contemporaries
  • Make connections between new technological developments, such as railroads and telegraphs, and changing perceptions of space and time in literature
  • Explore the state of the union as reflected in evolving depictions of place
  • Discuss the role of historic sites, cemeteries, place names in fiction and in national identity
  • Rethink the “transcendental” movement in terms of space and time
  • Elucidate cultural histories or popular culture representations of iconic New England scenes, such as the Concord Bridge, Ice Glen, Sacrifice Rock/Laurel Hill, Mount Holyoke, or Monument Mountain
  • Envision new roles for Sedgwick’s works in the classroom or interpret ways in which the teaching of Sedgwick and her contemporaries has evolved over nearly fifty years of recovery scholarship
  • Demonstrate ways in which digital humanities and online archives impact scholarly research on Sedgwick and her contemporaries
  • Theorize changing perceptions of domestic life, familial relationships, and the meaning of “home”: how might the “domestic” be reframed in terms of space, place and time?
  • Focus on the material distribution of texts (letters, periodicals, transatlantic republishing) in Sedgwick’s time and how these distribution methods relate to space, place and time
  • Explore ways in which considerations of geographic and/or historic specificity support, reiterate, and/or challenge larger theoretical notions of geography and/or history
  • Elucidate the life cycle or developmental paradigm of nonhuman entities:  plants, landscapes, mountains, art, nations, communities
  • Construct or deconstruct conceptual boundaries and binaries, such as country/city; past/present; colony/metropole; village/nation
  • Demonstrate how places that are geographically distant become connected through narrative
  • Describe ways in which concepts of space, place and/or time are constrained or distorted by gender, race, age, ethnicity or other factors
  • Track a specific place or moment in time across a variety of texts by different writers
  • Examine indirect experiences of geographic places or historic moments through the use of art, storytelling, monuments, news, or other forms of representation

These are among the many possibilities—as usual, all Sedgwick-related topics are welcome!

Please e-mail proposals of approximately 200-400 words by December 9, 2016, to Lisa West, CMSS Second Vice-President for Programs:   lisa.west@drake.edu

To register for the symposium or get more information about the conference program or outings in the Stockbridge area, visit the CMSS website at http://cmsedgwicksociety.org

CFP: CMSS in France (SSAWW International Conference July 2017)

FRANCE!!! FRANCE!!!! FRANCE!!!!! FRANCE!!!! FRANCE!!!! And Sedgwick

CALL FOR PAPERS – Catharine Maria Sedgwick Society

SSAWW Conference, Universite Bordeaux Montaigne, France, July 5-8, 2017

The first international SSAWW conference has the following focus:

“Border Crossings: Translation, Migration and Gender in the Americas, the Transatlantic and the Transpacific.”

The Catharine Maria Sedgwick Society wants to submit a complete panel for this conference. Abstracts and cv are due by June 22, 2016 to Lisa West at lisa.west@drake.edu

We accept all proposals for papers addressing

“Border Crossings in Catharine Maria Sedgwick’s Writings”

Suggestions include:

ways in which Sedgwick’s short writing crosses genre boundaries

travel writing

Clarence’s vision of an international space

crossings of water and landscape in Hope Leslie

cultural crossings in various texts

cross-dressing

religious crossings

narrative borders, innovative narrative techniques

allusions, crossings between and across different texts

marriage or other relationships as interpersonal border crossings

juxtapositions of urban and rural space, or intersections of the New York and Boston worlds

letters in A New England Tale, Hope Leslie or other texts

crossings between the imagination and reality or between this world and an alternative world (in religious or political sense)

escapes

the boundaries of domestic space

From SSAWW General Call for Papers:

“Border Crossings: Translation, Migration and Gender in the Americas, the Transatlantic and the Transpacific”

“To maintain a continuity with our previous conference (in Philadelphia, November 2015) on liminality and hybrid lives, we would like this first SSAWW conference in Europe to address the significance of “border crossing[s]” in the lives and works of American women writers. Such experiences have always been important to American women. Early diaries and travel notes left by 17th– and 18th-century women provide us with valuable records of and about their migratory experience to the New World and their lives and experiences in America. Besides offering more records of such experiences, the 19th century also witnessed an explosion in travel writing, fiction, and poetry treating with travel, as growing numbers of American women writers could afford to travel across Europe and more widely.”

“The conference theme invites participants to explore the broad spectrum of possibilities generated by such cross-cultural interactions, as well as the challenge consequently posed to literary canons. How has this experience affected women writers’ worldview and conception of language? To what extent do their modes of exploration differ from that of their male counterparts? How important were such contacts in allowing women writers to develop a consciousness of otherness and/or forge a community of feeling and experience transcending national and/or cultural barriers?”

“Crossings have always involved a necessary stage of transition, transformation, and consequent redefinition of the self that questions the very stability and permanence traditionally associated with women’s conventionalized roles. Thus we are very happy to consider writers using the idea of border crossing and travel symbolically or metaphorically as well as literally: early female travellers, explorers, and adventurers crossed borders in more ways than one, often by transgressing gender expectations, using this experience or awareness to reshape the conventions of many genres.”