CFP: Sedgwick Society at ALA 2020

The Catharine Maria Sedgwick Society seeks proposals for a roundtable and a panel to take place at the American Literature Association Conference in San Diego, CA, May 21-24, 2020

A Roundtable on Jeffrey Insko’s History, Abolition, and the Ever-Present Now in Antebellum American Writing
The Catharine Maria Sedgwick Society calls for 5-7 scholars to participate in a roundtable discussion of Jeffrey Insko’s recently published History, Abolition, and the Ever-Present Now in Antebellum American Writing (Oxford UP, 2018).  We are seeking scholars at various career levels and from different types of institutions to reflect on Insko’s work. Participants do not need to focus on the discussions of Sedgwick in the book’s second chapter but instead can address Insko’s treatment of any of the central authors (including Irving, Neal, Emerson, Douglass, and Melville); the significance of this scholarship for Sedgwick studies, studies of antebellum American literature, or theories of temporality; and/or key issues in Insko’s work, such as historicism and presentism, abolition, and literary Romanticism. The Ever-Present Now examines the meaning and possibilities of the present and its relationship to history and historicity in a number of literary texts of the past; specifically, the writings of several familiar figures in antebellum U.S. literary history—some, but not all of whom we associate with the period’s Romantic movement. Anchored by the impatient temporality of immediatist abolitionists, the book recovers some of the political force of Romanticism, which becomes clear when we foreground time, especially the time of now. Through close readings of texts by figures as different as Washington Irving, John Neal, Catharine Sedgwick, Frederick Douglass, Ralph Waldo Emerson, and Herman Melville, the book argues that these writers, some explicitly and others implicitly, practiced forms of literary historiography that treat the past as neither simply a reflection of present interests nor as an irretrievably distant “other,” but as a complex and open-ended interaction between the two. In place of a fixed and immutable past with unidirectional movement, these writers imagine history as an experience rooted in a fluid, dynamic, ever-changing present. The political, philosophical, and aesthetic disposition Insko calls “romantic presentism” insists upon the present as the fundamental sphere of human action and experience and, hence, of ethics and democratic possibility.

Please send a brief abstract (100-200 words) outlining your intended focus in the roundtable to Ashley Reed, akreed@vt.edu, by January 15, 2020. 


Panel: Nonhuman Life in Early America
The Catharine Maria Sedgwick Society invites papers on the subject of nonhuman life in early America. 
This panel will consider forms of nonhuman life in early America as they appear in the work of Sedgwick and her contemporaries. Papers might address (but are not limited to): • nonhuman animals, whether domestic or wild • vegetative life • superhuman or supernatural life (angels, ghosts, gods, sprites) • exclusions from the human (the subhuman, the semihuman, the animalistic) • early America in/and the anthropocene

Please send abstracts of 250 words to Ashley Reed, akreed@vt.edu, by January 15, 2020. 

NEH Grant Awarded for Catharine Maria Sedgwick Online Letters Project

CMSS Members Patricia Kalayjian, Deborah Gussman, and Lucinda Damon-Bach were recently awarded a grant from the National Endowment for the Humanities to pursue the Catharine Maria Sedgwick Online Letters Project. Their project entitled, “The Letters of American Novelist Catharine Maria Sedgwick (1789-1867): An Online Edition” was funded in the NEH’s August 2019 award cycle. Read more on the NEH website.

Redwood, A Tale – Forthcoming Scholarly Edition by Jenifer B. Elmore

Redwood is the only one of Sedgwick’s six major novels that has not yet been published in a modern, scholarly edition.

Expected Release February/March 2021

Redwood, A Tale. (originally published in 1824 in two volumes; Sedgwick’s second novel; republished in 1850 in one volume with some revisions).

New edition edited and with an introduction by Jenifer B. Elmore. With extensive annotations and appendices. Editorial assistant: Rachel Sakrisson. 

Title page of 1824 edition

Publisher:  Edinburgh University Press

Series:  Edinburgh Critical Editions of Nineteenth-Century Texts

Series editor:  Julian Wolfries

CFP: Sedgwick Society Panels at ALA 2019 (Deadline: 1.15.19)

CALL FOR PAPERS
2019 American Literature Association Conference,
May 23-26, 2019, Westin Copley Hotel, Boston, MA

Send 200 word abstracts to Lisa West, lisa.west@drake.edu by January 15, 2019.

The Catharine Maria Sedgwick Society is sponsoring a panel on:
Catharine Maria Sedgwick and the Gothic or Supernatural
While Sedgwick is associated with Federalist politics, reason, republican sensibility, and moral leadership, her writings do venture into the gothic, the uncanny, the supernatural, and the enchanted. This panel will explore the underexamined ways Sedgwick uses the gothic and the supernatural in her fiction and other writings. Panelists are encouraged to consider ways she responds to a transatlantic gothic tradition or to think about the religious supernatural. Panelists can build on ideas and papers presented at 2018 ALA or SSAWW. Papers are also welcome on writers who are contemporaries of Sedgwick, such as Washington Irving or Lydia Maria Child. Send 200-word abstracts to Lisa West, lisa.west@drake.edu by January 15, 2019.

The Catharine Maria Sedgwick Society is sponsoring a roundtable on:
Sedgwick’s Letters: Material Letters, Transcribed Letters, Fictional Letters, Digitized Letters

This roundtable will put the exciting work of the Catharine Maria Sedgwick Online Letter (CMSOL) Project in conversation with theoretical approaches to “the letter” in a variety of contexts. CMSOL is an ongoing initiative with the goal of making the correspondence of Sedgwick held at the Massachusetts Historical Society publicly available in digitized form. This project is significant not only in developing the scholarly infrastructure of Sedgwick Studies but also in linking archives, scholars, and the general public. The project raises numerous ethical and pragmatic issues about reading, transcribing, and editing letters. We welcome short presentations on Sedgwick’s (or her contemporaries’) personal letters, letters embedded within novels, letters from abroad, or references to letters. Scholarly challenges in working with letters or family papers also welcome, as are presentations that consider the role of letter-writing within a broader literary culture. Send 200-word abstracts to Lisa West, lisa.west@drake.edu by January 15, 2019.

CFP: Sedgwick Panel at SSAWW 2018 (deadline 2.10.18)

Society for the Study of American Women Writers Conference, Denver, CO
November 7-11, 2018

Call for Papers:

“Resisting Readers and Resisting Narrators within Sedgwick’s Works”  

Many of Sedgwick’s popular short writings are didactic in nature, leading readers toward desired, mostly conventional responses.  If Judith Fetterley valued the “resisting reader of texts, where can we find that message within Sedgwick’s writing? How are characters themselves resisting readers – and what kind of texts do they resist?  Are there multiple layers or dynamics of resistance within a text?  And what about the narrators?  In novels, Sedgwick often subverts the traditional didactic narrator voice, at times folding narration into letters, and at other times experimenting with other devices that destabilize the narrative voice. How does this narrative function challenge readers?

Ideally, this panel will not only explore instances of resistance but also consider reading and textuality in innovative ways.  In turn, these questions about reading and the nature of texts can influence the steps we take in recovering the work of Sedgwick and others: what texts we choose, how we present them to 21st century readers, and how we consider nontraditional forms of textuality or nontraditional methods of access.

The Catharine Maria Sedgwick Society is open to proposals that address writers other than Sedgwick if they otherwise fit the prompt.

Please send questions and 200-word abstracts to Lisa West, lisa.west@drake.edu by February 10, 2018.  

CFP: Sedgwick Society Panels at ALA 2018 (Deadline 1.15.18)

Call for Papers
American Literature Association Conference
San Francisco, CA May 24-27, 2018

SESSION 1: Roundtable: Sedgwick and American Enchantment

The Catharine Maria Sedgwick Society calls for 5-7 scholars to participate in a roundtable discussion of Michelle Sizemore’s recently published American Enchantment: Rituals of the People in the Post-Revolutionary World (Oxford UP, November 2017). Participants do not need to focus on the discussions of Sedgwick in the final chapter but instead can address Sizemore’s treatment of any of the central authors (such as Hawthorne, Irving, Brackenridge, and Brown); the significance of this scholarship for Sedgwick Studies; and/or key issues in Sizemore’s work, such as thinking of “the people” as a process rather than as a substance or understanding “enchantment” as a contingent state of embodied cognition.

A description of the book is as follows: The demise of the monarchy and the bodily absence of a King caused a representational crisis in the early republic, forcing the American people to reconstruct the social symbolic order in a new and unfamiliar way. Social historians have routinely understood the Revolution and the early republic as projects dedicated to and productive of reason, with “the people” as an orderly and sensible collective at odds with the volatile and unthinking crowd. American Enchantment rejects this traditionally held vision of a rational public sphere, arguing that early Americans dealt with the post-monarchical crisis by engaging in “civil mysticism,” not systematic discussion and debate. By evaluating a wide range of social and political rituals and literary and cultural discourses, Sizemore shows how “enchantment” becomes a vital mode of enacting the people after the demise of traditional monarchical forms. In works by Charles Brockden Brown, Washington Irving, Catharine Sedgwick, and Nathaniel Hawthorne–as well as in Delaware oral histories, accounts of George Washington’s inauguration, and Methodist conversion narratives–enchantment is an experience uniquely capable of producing new forms of popular power and social affiliation. Recognizing the role of enchantment in constituting the people overturns some of the most common-sense assumptions in the post-revolutionary world: above all, that the people are not simply a flesh-and-blood substance, but also a mystical force.

Please send a brief abstract (200 words) outlining your intended focus in the roundtable to Lisa West, lisa.west@drake.edu, by January 15, 2018.

SESSION 2: Panel: Sedgwick (and others) Beyond Unitarianism

The Catharine Maria Sedgwick Society seeks papers that invite discussion of religion in Sedgwick’s life and writing. In particular, the society hopes to complicate an understanding of Sedgwick’s Unitarian beliefs; call attention to her use of a variety of religious affiliations and doctrines; consider the role of secularism in her work; and investigate connections between religion, education, morality, and fiction. Papers that address contemporaries of Sedgwick, particularly other women writers or religious theorists, will also be considered.

Please send an abstract of 250 words to Lisa West, lisa.west@drake.edu, by January 15, 2018.

CFP: Transatlantic Women 3 – Women of the Green Atlantic (Deadline 11.01.2017)

Transatlantic Women 3: Women of the Green Atlantic

Dublin, Ireland Royal Irish Academy

21-22 June 2018


Sponsored by the Catherine Maria Sedgwick Society and the Harriet Beecher Stowe Society

“Since every wind that blows brings to our shores a fresh swarm of these people, who are to form so potent an element in our future national character, it behooves us to study them well, and make the best we can of  them.”

Catharine  Sedgwick,  “The  Little  Mendicants” (1846)
The third meeting of Transatlantic Women will take place in Dublin, Ireland, on 21-22 June 2018 at the Royal Irish Academy. It will focus on Irish/American crosscurrents of the long nineteenth century, on the transatlantic stream of writers, reformers, and immigrants crossing over the Green Atlantic who were engaged in refuting but also perpetuating stereotypes and racist beliefs that troubled Irish-American relations. Such authors as Catharine Sedgwick, for instance, wrestled with contradictory conceptions created of Irish immigrants who appear in many of her writings, including “Irish  Girl”  (1842) and  “The  Post  Office:  An  Irish  Story”  (1843). In a different context, “An  Affectionate  and  Christian  Address  of  Many  Thousands  of  Women”   (1852) pointedly  addressed  American  women  as  the  “sisters”  of  women  from  both  Great  Britain   and Ireland; although Harriet Beecher Stowe never traveled to Ireland, she met deputations from that country during her first visit to Europe (1853). In  “What  Is  a  Home?”  (1864)  and  “Servants”   (1865), she expressed concerns about the Irish in the United States similar to those of Sedgwick.

This transatlantic gathering will celebrate, and question, nineteenth-century women who crossed the Green Atlantic, wrote about it, or in other ways connected the United States with Ireland through networks, translations, transatlantic fame, or influence. As Peter  D.  O’Neill  and   David Lloyd demonstrate in The Black and Green Atlantic: Cross-Currents of the African and Irish Diasporas (2009), people from Ireland, as well as from Africa and the United States, crossed the Atlantic as slaves and servants, as cultural and political exiles or activists. Many women, active in travel writing, pamphleteering, writing fiction, newspaper articles, speeches, fairy tales, and ghost stories, were  promoters  of  women’s  rights  and  the  figure  of  the New Woman, and were engaged in philanthropy, temperance, abolitionism, social commentary—and simply just in sightseeing and enjoying themselves. Among the most prominent figures to build bridges between the United States and Ireland around activism are such well-known Americans as Lucretia Mott, Susan B. Anthony (on the Irish Question), Frances Willard, Ellen Craft, Ida B. Wells, and the Irish Frances Power Cobbe; among those who have received less attention are, for example, the African American Sarah Parker Remond and the poet Frances Osgood. And the exchange went both ways: fiction by Irish writer Maria Edgeworth, for instance, influenced Sedgwick, among others.

The Transatlantic Women 3 conference brings together scholars representing various countries and disciplines to examine the ways in which these women and their ideas moved, how they resisted oppression and created new ways to conceptualize their identities and the reality surrounding them. We welcome presentations on any topic related to nineteenth-century transatlantic women but are especially interested in those dealing with women of the Irish- American nexus. Some of the key concepts include race, stereotypes, assimilation, immigrant reality; conceptualization of space, distance, and identity; movement, and memory—historical and personal.

Topics include, but are not limited to:

  • recovering voices of Irish-Americans, or American-Irish women
  • struggles of immigrant women
  • women pioneers, in professions, activism, innovation
  • female networks and sisterhoods—of writers, journalists, travelers
  • women activists (abolitionism, anti-lynching,  temperance,  women’s  rights,  peace,  white

    slavery, reform, animal rights)

  • women travelers and their descriptive gaze
  • fictional and realistic descriptions of places, people, and societies
  • women’s  articulations  of  transatlanticism and the Green Atlantic

    Abstracts, which should be about 250 words, and a short bio, are due by 1 November 2017. They should be emailed to transatlanticwomen3@gmail.com.

    We look forward to yet another stimulating transatlantic conversation with you!

    Should you have any questions, please feel free to contact any of the organizers:
    Beth L. Lueck (lueckb@uww.edu), Sirpa Salenius (sirpa.salenius@uef.fi), or Lucinda Damon-Bach (ldamonbach@salemstate.edu).